It’s incredibly interesting, but also a very slow read. I’m slowly digesting a page or two at a time. Some parts are revelatory, and others — like this one — are just plain funny:
Like an actor with wooden delivery, a writer who relies on canned verbal formulas will break the spell. This is the kind of writer who gets the ball rolling in his search for th eholy grail, but finds that it’sneither a magic bullet nor a slam dunk, so he rolls with the punches and lets the chips fall where they may while seeing the glass as half-full, which iseasier said than done.
Avoid cliches like the plague — it’s a no-brainer.